Mbosso, a talented artist signed to Tanzania’s Wasafi Records label, recently released a music video for his latest hit single “AmePotea.” However, the video has stirred up controversy due to alleged similarities with a music video by Kenyan artist Bensoul.
In Mbosso’s video, there are scenes where he is seen naked in a basin being bathed by a woman he is presumed to be in love with. These scenes have been compared to Bensoul’s “Nairobi” video, where he is also seen in a basin being bathed by a woman. Many Bensoul fans have accused Wasafi Records of stealing the concept, claiming that Mbosso’s video is a direct copy of “Nairobi.”
Fans of Mbosso and Wasafi Records have defended the video, stating that the concept of being bathed in a basin is not new and that Mbosso’s video is unique in its own way. They argue that the scenes are not a direct copy of Bensoul’s video but rather a common idea used in music videos.
This controversy highlights the importance of originality and creativity in the music industry. While borrowing concepts from other artists is not uncommon, it is crucial to give credit where it is due and to avoid blatant copying. It is vital for artists and record labels to maintain originality and creativity in their work while acknowledging those whose ideas they may have borrowed.
In conclusion, the controversy surrounding Mbosso’s “AmePotea” video and its alleged similarities with Bensoul’s “Nairobi” video raises ethical questions about borrowing ideas in the music industry. It is crucial for artists and record labels to uphold originality and creativity while giving credit to those whose ideas they may have borrowed.
