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” Naomba Wakenya wanibuyie Prado ya 4 millioni na wanijengee Kanyumba karen, ” Stivo Simple Boy now asks Kenyans.

In a surprising twist of events, Kenyan musician Stephen Otieno, popularly known as Stevo Simple Boy, has made a daring request to the Kenyan public.

The internet sensation, recognized for his distinctive music style and humble demeanor, recently took to social media, urging his fans and fellow Kenyans to assist him in constructing a new house and acquiring a Prado.

This unprecedented appeal has elicited a variety of responses among his followers, sparking discussions about the role of fans in supporting their favorite artists. Let’s delve into the specifics and explore the implications of Stevo Simple Boy’s unusual request.

Stevo Simple Boy’s Journey:

Stevo Simple Boy gained fame in 2019 with his viral hit single, “Mihadarati,” which captivated audiences with its infectious melody and thought-provoking lyrics.

The young artist hailing from Kibera, one of Kenya’s largest slums, swiftly became an inspiration to many with his powerful message of hope, resilience, and determination.

Despite encountering numerous challenges, Stevo Simple Boy has stayed true to his roots, utilizing his music as a platform to address social issues and shed light on the realities of life in disadvantaged communities.

In a sincere video shared on his social media platforms, Stevo Simple Boy expressed his desire to own a house and a Prado, a luxury vehicle synonymous with success in Kenya. He explained that his modest background had hindered him from achieving these dreams independently and reached out to his fans and the Kenyan public for support.

The artist underscored that these aspirations were not solely for personal gain but would also serve as a source of motivation for other struggling individuals in society.

Since Stevo Simple Boy’s plea became public, reactions have flooded in from various segments of Kenyan society. While some fans expressed their willingness to contribute and fulfill his request, others were more critical, questioning the appropriateness of such a plea.

Critics contended that fans should support an artist’s work by purchasing their music or attending their shows, rather than directly financing their personal desires. Additionally, the issue sparked a broader debate about the responsibilities of artists towards their supporters and the expectations placed upon them.